Worst Arts Coverage Anywhere


Anyone praising Dennis Dutton and damning Billy Joel in the same column shouldn't be allowed near a keyboard of any kind. Dutton is a moron. As for Billy Joel, anyone who has penned Goodnight Saigon has more on the ball than most lyricists ever will. Where he rates in the pantheon of such things, is not really a concern, but a world that has the Pussy Cat Dolls in it can safely be said to have worse pop stars in it than someone who has the craft of song writing, piano playing, and being a recording artist in his own right down cold.

Slate art and music coverage is a contradiction in terms. Pace to my friends who have been telling me this for some time. Ron Rosenbaum has me convinced that no editor worth two Turkish Lira would hire people to write this kind of twaddle.


Stirling Newberry January 24, 2009 - 11:23pm
( categories: Miscellany )

are often notoriously in error.

canuck January 25, 2009 - 2:38am

I like AL Daily, in spite, or perhaps because, of its being a little on the Tory side. But Denis Dutton is a global warming denier and that says something about a person.

Haven't finished the Rosenbaum essay yet, but nothing in it so far has moved me from my own take on Billy Joel, which is that he would have been an awesome Tin Pan Alley/Brill Building songwriter who was unfortunately thrown into a world of required sincerity. I like his songs better when they have more artifice in them, not less.

Rosenbaum himself is a deeply weird critic, but I always check him out because he is not afraid of his convictions (rather like you, I might add).

http://harvardclassicsproject.blogspot.com

Delicious Pundit January 25, 2009 - 2:41am

it is not granted the right to be fact free. Joel can't have been "the worst for that long" given that he hits more than competence across the range of skills of being a recording artist, and there are many more that don't.

As for Dutton and A&L, that you read them without being paid to does not speak well of your intellect.

Stirling Newberry January 25, 2009 - 12:47pm

Stirling, no need to get personal


"Go confidently in the direction of your dreams! Live the life you've imagined." -Henry David Thoreau

Tina January 25, 2009 - 1:08pm

Comparing Stirling's work to Rosenbaum's work is like comparing lemonade to piss water.

Stirling had to point this out because he was being slandered.

mrmx January 25, 2009 - 2:49pm

all you have left is an "irl."

And that's kinda boring. You know--Coke. Flat. Like that.

fivespicepowder January 25, 2009 - 11:12pm

who put the "ring" in the name
    to make us precious Stirling?
who put the "ling" in the name
    to make our friend start flying?
who was that man?
    I'd like to shake his hand
he made a name
    that's won-der-ful in-deed!

mrmx January 26, 2009 - 2:07am

by personally vouching for Dutton and his crew. That's like vouching for Rush Limbaugh personally.

Stirling Newberry January 26, 2009 - 4:40pm

don't insult fellow members even if they are vouching for likes of Rush lol


"Go confidently in the direction of your dreams! Live the life you've imagined." -Henry David Thoreau

Tina January 26, 2009 - 5:27pm

snark=snide remark. It's just not polite or civilized. But it defines our times. It's one of the downfalls of the internet, the anonymity allows for behaviors that one would never do in meatspace. (unless you're a sociopath like myself)
Like I don't think Rosenbaum would tell Billy Joel that he sucked to his face. True art criticism exists to sing the praises of art, not to degrade the attempts at it.

Like the reviews of my restaurant, everyone's a critic online, but not a single one of those persons that have written something negative have ever had the balls to send the food back and complain. Maybe one or two. But they'll say anything when they think you're not listening and they have the web's anonymity to hide behind. It's the difference between a professional critic and an amateur. A professional has the depth of knowledge to stand behind his convictions and not resort to snide remarks. Used to be people just didn't come back and tell their friends, now they can tell the world.

It's tough being an artist, isn't it Stirling? You try to express what you know in your soul, but some asswipe just has to take the uninformed cheap shot. Problem is, we're all guilty now.

ah, where's artappraiser when you need her?

dk January 27, 2009 - 11:05am
It's the difference between a professional critic and an amateur. A professional has the depth of knowledge to stand behind his convictions and not resort to snide remarks.

I recommend Slonimsky's "A Lexicon Of Musical Invective". A professional critic is not defined by their insight in the field upon which they are commenting. They are defined by the act of receiving pay for expressing that opinion (although there have been reported cases where expertise and insight is part of the reason for that employment).

The most frequent path to becoming a critic in most fields involves first turning one's hand to a particular art and discovering you have no particular ability at it, and then casting around for employment that lets you feel like you're still part of the industry.


"The best-informed man is not necessarily the wisest. Indeed there is a danger that precisely in the multiplicity of his knowledge he will lose sight of what is essential."

- Dietrich Bonhoeffer

Escher Sketch January 27, 2009 - 11:27am

but the good ones, they do have an appreciation of the effort because they did try. that defines professionalism in my book. It's also why Jan and Michael Stern's review means so much to me. They understand the art that I'm attempting, while others don't. I read and was influenced by their articles for 25 years, because they see what I see. I can taste love in food, like I can hear love in music, or see it in folk art. my job as a professional is to make sure that the skills that I've acquired are used to convey the love. It's never an easy task, no matter your chosen art.

dk January 27, 2009 - 11:33am

In the wise words of "They"...

"Those who can't perform, teach," to which I dare add "...and those that can't teach become critics."

Incidentally, re They are defined by the act of receiving pay for expressing that opinion (although there have been reported cases where expertise and insight is part of the reason for that employment). my significant other did a turn as theatre critic/summer job eons ago for the local paper. He soon discovered that neither readers or editors were interested in bland "well done everybody" critiques. They wanted blood on the pages screaming invective - a full on qwerty assault. You see, the first reaction was not considered valuable (anybody can generally enjoy a show) while the second response was widely received as a professional critical opinion. The hubby quickly learned to hate everything he was paid to see.

Chickadee January 27, 2009 - 3:59pm

the commentators who are worth it know that they can say what's on their minds and folks will keep coming back.

don't you puff this little light out
i'm going to let it shine
let it shine
all the time
let it shine

people need to tell the difference between smiting and being forced to be defensive.

mrmx January 28, 2009 - 11:18pm

it was news to me! never fear - cultural criticism from nowhere is nothing to fear!
--
Hongpong.com

HongPong January 25, 2009 - 4:16am

snark as if it is a bad thing ;)


"Go confidently in the direction of your dreams! Live the life you've imagined." -Henry David Thoreau

Tina January 25, 2009 - 5:43am

cuts directly to the heart of the matter -

... In terms of tone, the comedic stylings of Stewart and Swift are much more closely related to the “snark” Denby derides than he would like to admit. The difference is that good satirists don’t just attack people for the fun of it, but as a reaction to actual injustice. Good satire is an elegant counterattack to the corrupt and the ignorant. It is a productive, light-hearted way of expressing horror and disgust on behalf of the downtrodden...


"The best-informed man is not necessarily the wisest. Indeed there is a danger that precisely in the multiplicity of his knowledge he will lose sight of what is essential."

- Dietrich Bonhoeffer

Escher Sketch January 25, 2009 - 6:37am

Thanks for the links. Resnikoff's review is pretty good but stops short of differentiating between satire and snark--and I agree with him that "snark" is an ugly morpheme.

"Lord! What Fools these Mortals be!"

Doug Richardson January 25, 2009 - 9:09am

Goodnight Saigon (wow, forgot how powerful the chorus harmonies got)

My Life

Pressure

The Longest Time

Allentown

A Matter of Trust

I owned 52nd Street in 1978, when I was 14, hard to be objective when all of Joel's work brings out the nostalgia. Cripes, I could use Joel's songs as the soundtrack to my life, and I was never really a fan, it was just always there on the radio.
I had a laugh the other day when my 24 yo waitress brought in a Billy Joel Greatest Hits CD, thinking to myself "what schlock". But then I realized how good it was, and that it still stands up, unlike some of the other pop of the time. We call it pop music, but really it's more like folk music. Joel's music was popular because it had a resonance, you could sing along and know and feel exactly what the song was about. And he's a hell of a craftsman, ya gotta give hime props for that.
Rosenbaum really likes Billy Joel, you can just tell. I think he was trying to be sly about it, but it does come off as too close to actual criticism. I honestly think he's making fun of critics, not Joel. If that's not the case, Rosenbaum's hilariously self deluded.

dk January 25, 2009 - 6:41am

I'm showing my age when Piano Man is not on your list ;)
but srsly thanks for the toobs. Piano Man probably is the most down to earth of Joels' music, timeless lyrics that ring true for anyone that ever visits the same bar or pub for any length of time. And yes I agree that the lyrics approach folk music in their intensity of emotion that is tweaked by the actual use of instruments to maximise the musical impact.

I'm ignorant of musical aptitude, #1 son has the music gift, but I know that the key changes and bass lines sure have an impact on the listener. (Rosenbaum and Guilderstern will both be dead and not remembered)

shit it sux being fifty

graham January 25, 2009 - 7:08am

it's already been in heavy rotation on the oldies stations for years. Its truth and beauty are well known. Just wait for the onslaught of the rest of Joel's music to hit the airwaves yet again. I'm a little shocked, however at the prescience of the song regarding his own life, he's still the Piano Man, making us feel alright, only it's his own songs now that he has to play over and over.
Joel's a masterful thief as Jean Luc Goddard would say, "It's not where you take things from, ---it's where you take them to"

oh, and sorry I editted my comment on Rosenbaum after a second reading.

dk January 25, 2009 - 7:18am

escaping the 10th iteration of the same news item or totally bored with some political analysis I do listen to some of the oldies stations. I often hear Leningrad or We didn't start the fire. Perhaps Piano Man has been played to death already down under...

Hey it's good to see posts edited :) I freak when I can't find something thats been deleted!

edited to add: yes I own a 2CD best of Joel, along with Supertramp retrospective, but full collections of Beatles and Dylan. I'm a 60's/70's boy.

graham January 25, 2009 - 7:26am

but Matter of Trust always gets me when I hear it, I think it's a great song. You can dance to it, it has good lyrics. I give it a 96 Dick. (American Bandstand reference for you un-American furriners)

dk January 25, 2009 - 7:36am

http://www.youtube.com/watch?v=Xx53c_6h-W4


"Go confidently in the direction of your dreams! Live the life you've imagined." -Henry David Thoreau

Tina January 25, 2009 - 9:11am

When I was working in a low level office job in NYC in 1977, it got to where I developed a raging hatred for "Just the Way You Are," since it came on the radio about every other minute (although it actually wasn't a bad song), but I forgot how many great, memorable songs Billy Joel churned out - not only catchy tunes and great arrangements but also lyrics that stood out from disco infected pop of the time.

Aguilar January 25, 2009 - 8:49am

He seems to know more about Hitler and Shakespeare than music, he did
a book about '70's music but it has not had a lasting impact.
My quip about Rosencrantz and Guilderstern was serendipitous it appears.

I saw Marley and Me the other week. Perhaps Ron would be better opining on what he really knows and understands. nuff said.

graham January 25, 2009 - 7:41am

And I, a student of crooning http://www.youtube.com/watch?v=U9eM--9_6hQ, think Billy is actually one of the best. Tony Bennet did a duets record in 2006. The only people who could really hang in there with him were Billy Joel and Paul McCartney. I was embarrassed for Sting - he couldn't sing the notes to "Blvd of Broken dreams." Tony actually took the HIGH parts.

KingElvis January 26, 2009 - 10:31am

they're just doing it for the money. presumably unlike when Joel wrote the song. Read the lyrics, he loves those people in the song, that's why it rings true. He doesn't love doing it for the money though, and that's the difference.

dk January 27, 2009 - 11:22am

Goodnight Angel

you can hear the love, he's using every ounce of his abilities to arrange something beautiful and satisfying to the soul. and that is the definition of art. From the Wki:

The first and broadest sense of art is the one that has remained closest to the older Latin meaning, which roughly translates to "skill" or "craft," and also from an Indo-European root meaning "arrangement" or "to arrange". In this sense, art is whatever is described as having undergone a deliberate process of arrangement by an agent.

dk January 27, 2009 - 11:31am

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