At tonight’s debate, Bernie Sanders will likely announce that he has received five million individual contributions to his campaign.
Now, we’ve racked up more delegates than he has and we’re doing better in the polls than he is. But that’s a lot of contributions — if his supporters keep stepping up at a higher rate than our team, we’re going to have more contests that look like the ones we saw yesterday in Kansas and Nebraska.
We’re just 5 people away from hitting our goal in Fountain Valley. Chip in to help reach our goal and to support this campaign right now:
Unlike Jay, I cannot support Hilarity Clinton.
Why? Because I do understand her swerve to the Left (because of Saunders) followed by a sharp arabesque to the right.
Why Hilarity? because I can either scream at our choices or mock. Currently I choose to mock. Quite possibly I need an attitude adjustment (please send me a few million to adjust my attitude, and not storm troopers).
Why Arabesque? (Nice balancing act you’ve got there, pity if something Trumped it).
In the first arabesque, the dancer stands in effacé position (for point 8, facing the front left corner, with the left foot in front) with the right leg raised in arabesque, the right arm extended to the side (to the audience) and the left arm extended front (towards the corner). The gaze follows the line of the arm extended en avant, so Hilarity can gaze adoringly at her rich donors.
In the second arabesque the legs are like in the first arabesque, but the right arm is extended en avant while the left arm is extended aligned with the dancer’s shoulder; the shoulders are in épaulement in line with the arms and the gaze is turned to the audience. The dancer’s face focus must turn directly towards the audience/front/direction 1, which allows a Mocking Gaze at the peasants.
In the third arabesque the dancer stands in croisé position (for point 8, facing the front left corner, the right foot is in front) with the left leg raised in arabesque, the right arm extended to the side and a little behind the shoulder, and the left arm extended front. The gaze follows the line of the arm extended en avant, placing Hilarity’s eye on the prize, and inviting others on her side to share in the spoils.
In the fourth arabesque position the dancer stands in croisé as for the third arabesque, but the right arm is extended front and the left arm is extended as far back as possible in line with the right arm. placing Hilarity’s eye on the prize,and leaving the peasants well behind to consume crumbs (if they are so lucky).
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